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asheville art Archives - Page 3 of 9 - AskAsheville - Asheville, North Carolina
While wandering around Haywood Road in West Asheville the other day, we walked into the Hop West and met a face painter and body paint artist named Amy Williams. We talked about the craft artistry that goes into each of her amazing paintings. This is not your average face painting scene where you have a teen putting a flower or star on your face. This is an artistic production, on your face or body, in a matter of minutes. I watched as she was painting Joseph’s face, with a 3D effect, and she did such beautiful work.
So we ordered some ice cream and decided to have some fun!
We are going to have her do a few events for us! You can visit Amy’s Website or give her a call at 828-778-1360.
I changed the way I look at jewelry Monday night. I didn’t learn anything about measurements, techniques, or jewelry biz lingo really. I don’t remember the names of the gorgeous gems or stones I was tinkering with either. I didn’t want to know those things. However, when Asheville jewelry-maker, Nadine Fidelman invited me into her home, she taught me all I could ever hope to learn about why we choose to decorate ourselves the way we do.
At first glance jewelry is like looking out into a crowd of people. There are a lot of shapes, sizes, colors, and styles all running together into rainbow overload. The first thoughts are, ‘oh I see pretty things,’ and then we start searching for a focal point. It is in that search that we realize we’re being pulled towards certain things and we start to examine why. While I was zeroing in on a generally smooth black stone with a noticeable organic crack in the upper right corner I could overhear one of my side kicks talking about the jewelry.
“It’s not just beads, they’re individual pieces,” I heard my fellow playmate Kelly Allen offer.
At first I thought, ‘yeah, ok, there’s a lot of different jewelry here. I can see that.’ Then I took a breath and thought about that word individual. I realized what she meant, and that I wasn’t just looking at the pieces, I was meeting them. I went back to my black stone, noticing the gorgeous, crystal-esque inclusions the flaw revealed. I was in love. I thought of my own personality, how I like the rawness in life, and the beauty I find in truth. I also believe in fighting like hell and collecting battle scars…I thought of how hard it is being a writer and how far I still had to go in the world of manuscripts. I wanted that beautiful stone. I had found my connection.
Lorna’s Fave!
We moved the party to the carpet where the impossible not love, Nadine plopped right down with us, kicking her shoes off ready to dig in. She shared stories with us about where she had found inspiration for her work, and let her obvious passion for her trade seep out onto us. We started tossing necklaces and bracelets around, trimming ourselves in the jewelry like we did our mothers’ as children. We’d try a piece on in between sips of girly shelf white wine, and chat about what we’d chosen. I asked the other three girls what they thought of what they’d selected.
Nadine chatting with Kelly about healing stones
Kelly, who had remarked earlier on the individualism, was drawn to stones she knew to have healing qualities. As cancer survivor, officially in remission since January; she keeps her eyes peeled for items in nature than bode healing qualities. Her journey with her sickness, and attention to wellness has brought her upon her choices in jewelry. Out of those stones, one in particular jumped out at her.
“This one looks like a fishing lure,” she commented excitedly holding up the yellowish vertical stone,” like my Daddy used.” She set it down smiling. She had found her connection.
Whitney Thompson, a native Ashevillian piped up from the other side of the circle, holding up a gorgeous blue stone in a similar fashion. “This one reminded me of the sea,” she said. “It’s like when you’re little. I just wanted to take my flip-flops off. When I saw it I wanted to go to the beach and run around.”
Whitney explaining what she loved about the piece
Whitney’s stone actually provoked a childhood memory to surface, making her feel carefree again as she had in her most innocent years. Whitney had found her connection.
The youngest of the group, Hannah, a 16-year-old, chose a piece unlike the rest of us, without a stone. Her piece was raw, twisted sterling silver wired, manipulated by hand into an untamed yet simple set of earrings. I chuckled thinking how the piece was like being a teenager, beautiful, unsure which direction it was going, and not as simple as it appeared to be. They fit Hannah just perfectly, and hung daintily on her young ears. She had made her connection. I wonder if she knew…
Dainty Hannah
While I was pondering this Whitney was perusing the backside of a necklace, “you know, their backs are just as pretty and detailed as their fronts.”
Nadine explained to the group how this is one of her trademarks. I thought how much it made sense because there are different sides to women…many sides. They are sometimes tucked away against our own skins for only us to enjoy and sometimes decided to be displayed so people can see our normally hidden sides. Nadine told us she’d even been in public and saw her creation flipped over, showing them from the opposite sides. What self-expression.
I learned something Monday night. Jewelry isn’t just embellishment, it’s an embellishment of us. Often times who we are is in the tiny details of the things we choose to let represent us. We weren’t wearing jewelry, we were wearing little pieces of who we are. I thought I was going to just play dress-up, and I did to an extent. I just didn’t know I would be using Nadine’s art to dress up as myself.
If you want to make your connection with Jewelry by Nadine check out her collection at the Kress Emporium in downtown Asheville.
19 Patton Ave, Asheville, NC 28801
If you’d love your own play date with Nadine call her 828-654-0993 or email her at nfidelman@pobox.com
Have an interesting story? Contact AskAsheville’s Lorna Hollifield at lornalh@gmail .com 828-280-1799
I started hearing tales of the Lynyrd Skynyrd plane crash of ’77 from my father when pampers were still my favorite pair of pants. I knew who Ronnie Van Zant was before Big Bird, and my Sunday dinners at Mamaw’s house were really jam sessions that became my lullabies. My father’s hair was longer than my mother’s at that time, and all the men in my family sported bloody finger tips that were slaves to those beckoning long-necked instruments. At 27 years old, in the age of whatever it is music has become that I haven’t a word that qualifies, I can bank on every family get-together bringing me back to a place when it was pure. It’s a place I can only visit through my father’s time machine in a land that existed around the time my mother discovered boys. I go back whenever my now greying father and Uncle pick up their guitars, close their eyes, and try to perfect still, that long ever-growing famously tricky six-string solo in Free Bird.
Artimus Pyle, Lynyrd Skynyrd’s drummer, and only original band-member still touring traipsed into the Applebee’s in Candler, North Carolina, my hometown about two weeks ago.
“Lorna, you got to get down here, now,” My husband’s voice was urgent on the other end of the phone.
“Why? Is something wrong?”
“No. Artimus Pyle is here. We’re hanging out, and he’s cool as hell,” my husband’s speech was hurried.
“You’re lying!”
“No…”
“I’ll be there in five,” I replied with my mind reeling all the things I knew about this legend. I knew he had a house in Asheville, but what was he doing at an Applebee’s in the down-home Candler suburb of the artsy town?
When I walked in, I saw him immediately and I had to catch my breath a little. I was genuinely star-struck. I swear I could smell a faint trail of smoke permeating from his long burly hair, that grew like ragged wires from under his distressed leather cowboy hat. I wondered what the eyes from behind his aviator glasses had seen in the world of rock n’ roll, fame, and heartache. I knew his eyes would certainly tell the stories of things I had never and would never see.
When my husband motioned to him, and it was our time to finally meet, I don’t remember exactly what I said. It was something to the effect of how I grew up on his music, and was proud to keep the band alive in my generation…you know, the things you say, but trying to stand out all at once. In retrospect, I may have sounded rushed, and looked like a pre-teen meeting Justin Bieber.
When I handed him the clean white half sheet of paper the waitress rustled up for me, I first noticed his time-worn hands. They shook a bit as he started to write, “Laugh, Lorna. Peace, love, and happiness (in symbols). Artimus Pyle, Drums, Lynyrd Skynyrd. Rock N’ Roll Hall of Fame 2006.” I took the sheet from him, perusing it in awe. Then, I noticed the initials, RVZ.
“You, signed Ronnie’s initials, didn’t you?” I asked, moved that he’d not omitted the lead-singer and founding member’s name.
“You wouldn’t even know my name had it not been for that man,” he replied seriously, “and after the crash I started signing his initials.”
I thought to myself what a class-act this man truly was to carry-on the memory of his fallen band-member and how proud I was to meet him. It was then I relaxed a little bit and started just chatting with him. I found out how he co-wrote my favorite Skynyrd song, Tuesday’s Gone, and how he was always drawn to Asheville, NC. We chatted about his respect for the philanthropic Asheville-born musician, Warren Haynes, and how he’d played with him here and there. He spoke of his son, River, and how proud he was of him. I was careful not to bring up the plane crash, though I was so painfully curious about his take on it. All I knew was that Van Zant and the Gaines members perished, and Artimus survived. I wanted to know more, and maybe he sensed it, because he went into the story all on his own.”
“You know, after the crash, there was just smoke everywhere,” he began, “and I ran to the barn to get help.”
“I didn’t know you were able to that,” I replied in awe.
He went on to describe the only things he remembered, and the whirlwind it became. I could tell some of it was cloudy to him, yet still felt as real as it had over 35 years ago. My guess is it was cloudy then.
After telling me to remember that money ruins everything, I gave him a hug, noticing an unimagined raw musk about him, and he went on his way. I rushed home and googled him immediately, seeing what else I could learn. I discovered when he ran from the plane wreckage to the nearby barn, the farmer’s son actually shot Artimus in the shoulder with an air-rifle because he was startled by his appearance. I learned he never stopped revering Van Zant and the other members, and had made the legacy of the band his life. I discovered he’d had ups, and downs, but understood the things that matter in life…, respect and downright allegiance to his band, family, art, and fellow man. He is yet another jewel tucked in these blue ridge mountains; an ARTimus form in Asheville that we’re forever proud to claim.
Asheville is filled with great artists of all types. From paint, to metal, wood and more. Here is an illustration of the Asheville City Hall building by Amy Sullivan. More great drawings from this local Artist coming soon! See more at A. Sullivan Art on Tumblr.
The “Second Saturday” festivities on Dec. 14 in Asheville’s historic River Arts District promise seasonal treats for gift-givers and art lovers alike as they meet and greet artists-in-residence
ASHEVILLE, N.C. – Discriminating art lovers will want to take this chance to meet and greet artists Cindy Walton and Fleta Monaghan if they’re considering investing in the finer things of life as a seasonal treat on Saturday, Dec. 14, as part of the “Second Saturday” festivities in Asheville’s River Arts District.
Cindy Walton
Walton’s “Sky Danse,” 2013
Artist Cindy Walton of Cindy Walton Fine Art, co-hosts a holiday open studio during “Second Saturday” at The Wedge Building. There, she will co-host a holiday open studio during “Second Saturday” at The Wedge Building from her second floor studio from 5-8 p.m. She, together with the other top-tier artists in residence, will be present for the festivities – and the shopping. A little elf told us that Cindy will have special pricing on selected cold wax paintings during the open studio. With her rising star reputation, her paintings are rarely offered at these advantageous prices.
Cindy Walton Fine Arts is on the second floor of The Wedge Building, Roberts Street, and at www.cindywalton.com.
Monaghan’s “Fairfield Falls,” 2013
Fleta Monaghan
Fleta Monaghan is known both for her own prowess as a fine artist and for her leadership in the profession as the founder of this hot gallery spot. Under her direction, 310 ART Gallery also celebrates the holiday season this “Second Saturday” from noon -5 p.m.
“We feature 21 local fine artists and artisans showing original paintings, sculpture, jewelry, glass art and more,” she says.
While enjoying refreshments, ask for the winter workshop schedule for adult art classes. We also expect reindeer will pause here for the hand-bound books and jewelry specials bound to make it to the tip toe of that special someone’s stocking – plus, a delightful 10 percent discount off original works by Monaghan.
The 310 Art Gallery is at 191 Lyman Street, Studio 310, and at www.310art.com.
Sherri McLendon is a freelance writer with McLendon Bylines, www.sherrimclendon.com, near Asheville, N.C.
Fleta Monaghan is known both for her own prowess as a fine artist and for her leadership in the profession as the founder of this hot gallery spot. Under her direction, 310 ART Gallery also celebrates the holiday season this “Second Saturday” from noon -5 p.m.